ARC Review: In The Vanishers’ Palace

In a ruined, devastated world, where the earth is poisoned and beings of nightmares roam the land…

A woman, betrayed, terrified, sold into indenture to pay her village’s debts and struggling to survive in a spirit world.

A dragon, among the last of her kind, cold and aloof but desperately trying to make a difference.

When failed scholar Yên is sold to Vu Côn, one of the last dragons walking the earth, she expects to be tortured or killed for Vu Côn’s amusement.

But Vu Côn, it turns out, has a use for Yên: she needs a scholar to tutor her two unruly children. She takes Yên back to her home, a vast, vertiginous palace-prison where every door can lead to death. Vu Côn seems stern and unbending, but as the days pass Yên comes to see her kinder and caring side. She finds herself dangerously attracted to the dragon who is her master and jailer. In the end, Yên will have to decide where her own happiness lies—and whether it will survive the revelation of Vu Côn’s dark, unspeakable secrets…

In The Vanishers’ Palace

Aliette de Bodard

Rating: 4/5 🌈
Published: 16th October 2018
Goodreads
Rep: Vietnamese mcs (ownvoices), bi mc (fairly sure ownvoices), lesbian mc, non-binary side characters (not ownvoices)

And then she’d wake up, gasping, trying to breathe, raising her hands to her face, remembering Vu Côn’s touch on her skin, as wet and as cold as the oily river.

Galley provided by publisher

In The Vanishers’ Palace is the first book by Aliette de Bodard that I’ve read, and boy is it a good one. It’s an f/f, dark fantasy inspired by Beauty and the Beast and Vietnamese mythology, with dragons. If the whole premise doesn’t get you, I don’t know what will. (Perhaps an AO3 tags style description of the book by the author herself?)

The thing I most loved about this book was the relationship between Yên and Vu Côn. It starts off cold and unfriendly, given that Vu Côn effectively kidnaps Yên in “payment” for healing a member of the village. But there is still attraction there, and Aliette de Bodard develops it really well into something more romantic. And manages to have both Yên and Vu Côn develop as characters individually as well. (As do Liên and Thông, which was good to see, as they were more side characters.)

The writing and worldbuilding was also really good. The reader is somewhat thrown straight into the world with not that much explanation at times (especially with regard to the Vanishers), so I found that a bit difficult from time to time. Not so much that my enjoyment of the book was impacted at all, but still noticeably.

So, in summary, you should definitely mark this book to read. Because who doesn’t love fairytale reimaginings, especially when they’re sapphic. Aliette de Bodard is definitely an author I’ll be coming back to.